The backbone of Western music theory and emotional expression:
Major Scales
Major scales are known for their bright, happy, and stable sound.
- Structure (Whole and Half Steps):
W – W – H – W – W – W – H
(W = whole step, H = half step)
Example: C Major → C D E F G A B C - Emotional Tone:
Joyful, triumphant, peaceful - Common Use:
Pop, classical, folk, children’s music
Minor Scales
Minor scales evoke a sad, mysterious, or introspective mood. There are three types:
- Natural Minor
- Structure: W – H – W – W – H – W – W
- Example: A Minor → A B C D E F G A
- Tone: Somber, melancholic
- Harmonic Minor
- Same as natural minor but with a raised 7th
- Example: A Harmonic Minor → A B C D E F G♯ A
- Tone: Dramatic, exotic (often used in classical and metal)
- Melodic Minor
- Ascending: Raised 6th and 7th
- Descending: Same as natural minor
- Example: A Melodic Minor Ascending → A B C D E F♯ G♯ A
- Tone: Smooth, expressive
whole steps and half steps are the building blocks of scales, melodies, and chords. Here’s how they work visually and physically on the fretboard:
Half Step (Semitone)
- Definition: The distance from one fret to the next adjacent fret.
- Example:
If you play the 5th fret on the low E string (A note), then move to the 6th fret, you’ve moved a half step to A♯/B♭. - Visual Cue:
One fret = one half step.
Whole Step (Whole Tone)
- Definition: The distance of two frets on the same string.
- Example:
From the 5th fret (A), jump to the 7th fret (B). That’s a whole step. - Visual Cue:
Skip one fret between notes.
Why It Matters
- Scales: Major and minor scales are built from patterns of whole and half steps.
- Chord Construction: Intervals between notes define chord types.
- Fretboard Navigation: Understanding steps helps you move fluidly across strings and frets.
🪜 Quick Reference
| Step Type | Fret Distance | Example (Low E String) |
|---|---|---|
| Half Step | 1 fret | E (open) → F (1st fret) |
| Whole Step | 2 frets | E (open) → F♯ (2nd fret) |
